BISABOLOL/ (biz-ah-bowl-uhl)/ n./ 1. A clear, slightly yellowish liquid extracted from the essential oil of the chamomile plant, Matricaria Recutita;/ n./ 2. An anti-irritant and anti-inflammatory ingredient with a faint, calming floral scent that is often used to soothe sensitive skin, e.g., “Darphin’s multifunctional cleansing water bolstered with Bisabolol was essential to relieving models’ stressed skin backstage at Vena Cava.”
Saturday, February 28, 2009
Ingredients: Bisabolol
Friday, February 27, 2009
Vogue India March 2009: Freida Pinto
The Indian beauty has been wowing us with her red carpet style, so she was a natural choice to be the March 2009 cover girl of Vogue India.
She looks gorgeous on the cover, wearing a cute embellished mini dress from Louis Vuitton's Spring 2009 collection. The dress also has cut-outs, metallics and sheer capped shoulders, which work with dark lips and soft curls. I would have loved to see her full-length in this dress.
On begin recognised for her style: "I’ve become so much more aware of the fashion world recently — and I’m doomed now. There’s no turning back."
On her own style mantra: "You’ve got to go with instinct, the right dress will make your heart skip a beat. You’ve got to fall in love with what you’re wearing to really pull it off."
At the Vogue shoot, when a reporter asked stylist Tina Laakkonen why Pinto isn't being dressed exclusively in Indian fashion, Pinto grabbed a pencil and scribbled her answer on a scrap of paper, 'Because she's international now!'
Thursday, February 26, 2009
New Bobbi Brown Bright Collection
New from Bobbi Brown
Sure to lift your spirits in the wake of summer’s exit is the new Collector’s Edition Palette featuring thirty five eye shadow shades ranging from the vivid (such as Blue Denim) to the more subdued (such as Day Glow), the four new shades soon available in the ever-popular Creamy Lip Colour (try Retro Pink), and the never-before-seen Lip Gloss packaged in a versatile compact and available in six must-have shades (try True Beige).
To complement these releases is Bobbi Brown’s latest How-to make-up guide: The Bobbi Brown Makeup Manual.
Unlike her previous books, this tome, while still providing you with useful information on how to apply new looks, and make the most of your existing ones, reveals trade secrets as well: advising aspiring make-up artists on how to break into the industry, put together a portfolio, and manage a business.
“ I wanted this book to serve as a complete reference guide to everyone who wants to know about beauty and makeup. It’s filled with complete step-by-step lessons, industry tips and beautiful pictures.” Says Bobbi.
With her latest collection, full of perky colours and soft textures, and a new book that simultaneously inspires and informs, I know which counter I’ll be paying a visit to this autumn.
Wednesday, February 25, 2009
Oscar Look: Natalie Portman
Natalie Portman must be makeup artist Jeanine Lobell's dream client. Not only was Lobell inspired by that beyond gorgeous orchid-colored Rodarte dress, but despite her sophistication, Nat is young enough to pull off what Lobell called, "cool punk rock sexy fairy makeup." Say what?
We had to call Jeanine, and ask exactly what she used to get it. The good news? It's easy enough to re-create at home. The bad news? Portman's cheekbones are not included.
Lobell, the founder of Stila, confessed that it was all about the Chanel last night. She used the Chanel Silky Eye Shadow Duo in Orient Express, $40, to achieve a frosty-pastel play on smoky. First, pale pink shadow, with dark purple smudged around the lids and lower lash line. She then lined a bit of Intense Eye Pencil in Noir, $27, inside the eye, and black Inimitable Mascara, $30, for red carpet-worthy lashes. An application of Perfect Brows in Brun, $65, made Portman's brows strong but soft. To play on the tones of the dress, Lobell swept Powder Blush in Narcisse, $42, a bright pink, high on her cheekbones, and dabbed pale lavender Glossimer in Galactic, $27, on her lips. Finally, for a sexy, bronze sheen, she rubbed Sheer Brilliance in Sunkissed, $42, on Portman's arms, shoulders, and chest.
See? Told ya sexy rock and roll fairy makeup was a cinch.
Best Oscar Look: Angelina Jolie
She may not have uttered a word to Ryan Seacrest, but Angelina Jolie's message was loud and clear: No one was going to throw off her A game. Angie followed her usual red carpet M.O.: A simple but elegant black gown, femme fatale eye makeup, and Brad Pitt on her arm.
Her makeup artist Mary Burton, feeling the heat of the occasion, decided to step up the drama ever so slightly by stretching Jolie’s trademark cat’s-eye liner a smidge further than usual, and adding a touch underneath the lower lash line, “like a sideways V,” she says. The heavier eye makeup made a statement, but didn't look overdone, probably because it was balanced out by those emerald boulders hanging from her ears. (Gorgeous.)
Holy lashes. Burton finished the look by applying several coats of Lancôme Oscillation Mascara ($34), topped with YSL Volume Effet Faux Cils ($28.50). Lips were simple, glossed, cheeks dusted with a trace of (honestly, invisible) powder blush.
“I rarely ever put blush or bronzer on her skin,” says Burton. “Anything else is too much for her.”
Ingredients: Licorice Root
LICORICE ROOT/(lik-uh-ris root)/n./ 1. The root of the licorice plant, Glycyrrhiza glabra, which grows wild in parts of Europe and Asia; / 2. Also known as “sweet root,” the flavorful herb contains Glycyrrhizin, a compound that is 50 times sweeter than sugar in addition to being a known antioxidant, anti-inflammatory, and skin-lightening agent, e.g., “Move over Splenda; licorice root is the preferred sweetener of beauty junkies.”
Try it: Sukispa Targeted Bio-Brightening Face Serum, $75, www.sukipure.com.
Blood Orange Crush
I'm all about a beautiful blood orange lip and/or cheek for Spring. I find it really refreshing, especially when done in a glossy, bright finish.
Get this look: Matte
Lightly line the lips in an orange-based red lip liner (like M.A.C Redd ) then smudge in towards the mouth and fill with a bright, bold shade such as Heat Wave by NARS.
Get this look: Glossy
I adore Pout Plump in Pimento (if you can still find it) and NARS Lip Gloss in Babe for an effortless fix.
Get this look: Customized
If you want the full effect, try a layered look. I like to use M.A.C Lipmix in Orange (without liner), then coat the bright orange base with a sheer red gloss, such as Tulip Venom Gloss by DuWop or Dior Addict Ultra Gloss Reflect in Red Stockings.
Get the look: Rouge
A blood orange flush is gorgeous, but I'd keep the lips light if you're opting to highlight your cheeks. For this look, try mixing two parts Lancome Magique Blush in Peach Melba and one part Color Fever Lipstick in Red and Sensual Java (a tip taken from the great Gucci Westman), then apply lightly to the apples of your cheeks.
To dress your kisser, lightly dab the same poppy-red lipstick in the center of your lips, then apply a sheer orange/coral lip color on top (I love Glosspitality Lipgelee by M.A.C, Sari by Fresh, and Lancome Juicy Tubes Jelly in Sweet Punch).
It's such a fresh, vibrant look for the coming season. Now, all we need is a little sunshine and we're set...
Blood Orange Crush
I'm all about a beautiful blood orange lip and/or cheek for Spring. I find it really refreshing, especially when done in a glossy, bright finish.
Get this look: Matte
Lightly line the lips in an orange-based red lip liner (like M.A.C Redd ) then smudge in towards the mouth and fill with a bright, bold shade such as Heat Wave by NARS.
Get this look: Glossy
I adore Pout Plump in Pimento (if you can still find it) and NARS Lip Gloss in Babe for an effortless fix.
Get this look: Customized
If you want the full effect, try a layered look. I like to use M.A.C Lipmix in Orange (without liner), then coat the bright orange base with a sheer red gloss, such as Tulip Venom Gloss by DuWop or Dior Addict Ultra Gloss Reflect in Red Stockings.
Get the look: Rouge
A blood orange flush is gorgeous, but I'd keep the lips light if you're opting to highlight your cheeks. For this look, try mixing two parts Lancome Magique Blush in Peach Melba and one part Color Fever Lipstick in Red and Sensual Java (a tip taken from the great Gucci Westman), then apply lightly to the apples of your cheeks.
To dress your kisser, lightly dab the same poppy-red lipstick in the center of your lips, then apply a sheer orange/coral lip color on top (I love Glosspitality Lipgelee by M.A.C, Sari by Fresh, and Lancome Juicy Tubes Jelly in Sweet Punch).
It's such a fresh, vibrant look for the coming season. Now, all we need is a little sunshine and we're set...
Oscars Beauty Trends
The Oscars are the culmination of the awards show season, which has kept our favorite celebrities in the public eye since early January (yay!).
We've been avidly watching for beauty trends, and have seen a few key ones emerge. Two of them - smoldering eyes and natural makeup, are tried and true red carpet favorites. But there a few key makeup musts that have emerged as must-wear trends for spring. Purple eye shadow, which makes all eye colors pop, is huge, as are bright pink lips and messy hair - either bouffant style or down.
IT'S A WRAP! New York's Fall 2009 Fashion Week is officially over and have I been busy!
But what I noticed is that the beauty trends are just beginning. And guess what: The 80's are back in a big way - you'll be safety dancing (and killing radio stars) in Cyndi Lauper makeup and Grace Jones hair. You won't wear your hair down again, ever, as intricate buns and glamorous ponytails ruled the runways, and gray will be your new black - the go-to color for eyes, nails, and even lips (yes, really).
Fashion Show Breakdown: Behnaz Sarafpour
MAKEUP: Gordon Espinet for MAC Cosmetics
HAIR: Ashley Javier for Kérastase
BEAUTY SNAPSHOT: Graphic liner and punky pompadours
THE SCOOP: Behnaz Sarafpour's Fall 2009 collection was inspired by the sculptor Alexander Calder, and the graphic hair and makeup followed suit. For makeup, the wire mobiles the artist is famous for translated into strong, black rimmed eyes. "I used eyeliner from every direction," said Gordon Espinet. By smudging the eyes with black liner and shadow, and leaving lips nude, the look was a little androgynous, a little punky, and played off the graphic clothing with natural ease. The futuristic pompadour that hair stylist Ashley Javier created topped off 80's era Grace Jones glam with a dash of Blade Runner cyberpunk. "In trendy neighborhoods like London's SOHO and New York's Williamsburg, I feel like women are adding more grandeur to their day wear. This squared-off bouffant adds the perfect amount of edge to a cocktail dress," said Javier.
GET THE LOOK – MAKEUP: "The skin has a yummy healthiness," said Espinet. He powdered skin with MAC Cosmetics Mineralize Skinfinish in Natural for a super natural finish. Instead of blush, Espinet contoured the face with a slightly darker shade of powder, on the edges of the face for increased definition. Eyes were lined with MAC Eye Kohl in Smolder, concentrating the intense black pigment inside the lower lashlines, with a smudge of MAC Eye Shadow in Carbon on top. A coat of MAC ProLash Mascara in Black on uncurled lashes topped off the eyes. Lips were nude, but "not a 60's light lips," said Espinet. He used MAC Pro Lip Erase, a flesh-tone balm, for a pout that looked creamy and healthy - never matte.
GET THE LOOK – HAIR: Javier used products from the Kerastase Green Line for volume. The key to this look is rollers and teasing. "For the Gibson-y pompadour effect in front, you need to use rollers to get the root to really stick up," said Javier. He suggests holding the front piece of hair down flat on the forehead, and rolling hair up into the hot roller for the highest effect. Then, tease at the root, comb over to slightly smooth it, and twist hair up into a chignon in back.
Tuesday, February 24, 2009
Fashion show Breakdown: Carolina Herrera Fall 2009
The look for Carolina Herrera’s show on Monday was Beth Porter (ladylike) meets Shane McCutcheon (rough)…a look that had me head over heels in love. Makeup Artist Diane Kendal used makeup from M.A.C. Cosmetics at the show. With strict direction from Herrera herself, the designer wanted models to have a more luminous look. Kendal lined the models eyes with a nude shimmer pencil on the bottom inside of the eyelid. On the brow bone and cheeks, Kendal used a white pearlized pigment ( this technique allowed the light to pick up the shimmer when models walked down the runway). Foundation was applied very lightly, used more like a tinted moisturizer than a blemish coverup. To warm up the cheeks, Kendal used the M.A.C. Mineralize blush in peach and finished the look by using the popular “Twig” color M.A.C. lipstick and Dazzle Glass berry lip-gloss.
Working with T3, Hairstylist Orlando Pita was also given direct instructions by Herrera to style the hair as if models had rolled out of bed and done it themselves. To show off the neckline detail of her collection, Herrera instructed Pita that all hair was to sit high and simple above the neck. To achieve this look, Pita blew out hair with a T3 blow-dryer and T3’s Plump. He sprayed the hair with T3’s Renew dry conditioner and then finger-combed hair back to create a little volume with T3’s Control hairspray. The hair was tucked up and in, adding visible copper hairpins. Pita pinned small bronze flowers throughout the hair. The flowers were also used on the handbags and shoes for the show.
Monday, February 23, 2009
Mary-Kate Olsen by Craig McDean: Interview March 2009
Interview’s feature on Mary-Kate Olsen is available online now. There are the requisite “when did you and Ashley stop dressing alike?” questions, and luckily some new content as well.
The March 2009 covergirl looks completely different with platinum hair - like a cute space chick.
Interview March 2009 : Mary-Kate OlsenBehind-the-scenes Video
Sunday, February 22, 2009
Shall we Dance?
“I was inspired by the dance between the woman’s body and Rio’s nature,” said Carlos Miele of his Spring 2009 ad campaign, shot at Ipanema Beach in Rio. Aline Weber and gorgeous Brazilian Emanuela de Paula? Lovely. We wonder if this was photographed during the Claro Rio Summer spectacular in November? Cue Michael Roberts…
Linda Cantello Joins Giorgio Armani Beauty
Giorgio Armani Beauty has named Linda Cantello as its international makeup artist.
In her new role, Cantello will help to develop color cosmetics products with Armani’s beauty licensee.
So what does this really mean for you and me? Well, Linda understands women in their 40’s, and that’s a good thing for us. Why? Because she won’t be developing products like a Hello Kitty line for Armani, or a Barbie for Armani. Things that are ridiculously young for us. No, she’ll be developing sophisticated makeup for you and me.
Linda is currently developing a lip line for Armani and it will be available in October. She’s looking to create new concepts for the line as “there’s no point in doing something that’s already been done.” Thank you, Linda!
Saturday, February 21, 2009
Prada: Future Shock
Prada was just the beginning for the radiant Ymre Stiekema. The willowy beauty from the Netherlands makes her way to the pages of W this month in a dreamy editorial shot by Craig McDean. The sci-fi themed editorial gives Ymre ample room to display her posing prowess and signature stare.
Stare into my eyes....
Can eye makeup be called “fashion” and can it really make a noticeable impact? If you doubt this, you haven’t seen what is being called Impact Eye Fashion. It’s bright. It’s colorful. Yet it’s still refined and very glamorous. While, in its fullest, it may not yet be office appropriate, it is showing up in some otherwise modest settings. It may be difficult to picture when you’re seeing it only in words, but if you look, it won’t be long before you see it.
It’s called “impact” because of the extreme use of color and also because the application fills the entire span of the eye from one end of the brow to the other. You may be picturing something akin to Halloween makeup, but it’s not. One feature that keeps impact eye make up from looking like circus wear is that it keeps all the colors in the same family.
Here is an explanation of a few of the looks you can create to give this vivid trend a try. First, you have to love a shimmery shadow – that’s key. If green is your favorite, you’ll love this. Sweep shimmering white shadow (creams work best for blending and long-wear) from the highest point in the curve of your eyebrow to the natural end of the brows. Use a brush or sponge to apply the same white in the inner corner of your eyes from your eye to the curve of your nose (remember, impact makeup covers the entire expanse of your eye.) Fill in the entire outside corner along the curve of your eye between your eyes to your nose. Directly underneath the white shadow on your brow and extending to the lash line on your lid, apply shimmering mermaid green. This color begins just above the white in the inner corner; it follows the curve of your eye to your nose, up to meet the inner corner of your eyebrows and across your crease to a point just outside the natural end of your eyebrow. Next is the common denominator in impact eye makeup, black liquid liner. Apply liner from the inside of the lash line to the outside point of the green shadow on both top and bottom lashes. Speaking of lashes, don’t think for a minute that they are going to be “normal!” Paired with this vibrant green is fuchsia mascara on top and bottom lashes.
Using the same application techniques, start with shimmering white along the brow; choose a shimmering, smoky charcoal gray instead of the mermaid green. The same fuchsia mascara finishes the look.
For a softer (but not less extreme look) use a shimmering golden taupe under the white highlight color. Black liquid eyeliner is applied in the same cat eye style for all these looks, and a golden mascara finishes it.
For a playful look, choose a soft, shimmering pink to highlight the brow in place of the white. Apply a shimmering medium blue along the lids and finish with an electric pink mascara.
Friday, February 20, 2009
Tush Magazine: Old Fashion Glamour
Ashwariya: Asymmetry in motion
At last night’s premiere of The Pink Panther 2, a film we can almost 100 percent say we have no interest in seeing, actress Aishwarya Rai Bachchan looked surprised—or was it amused? Perhaps befuddled—as she walked the pink carpet in peach blush and a bouffant-cum-ponytail, with one eyebrow raised in seeming perpetuity (we checked the photo gallery; all things above her left eye pointed up, at all times). Outside of the whole dark eyes, full lips, and slammin’ body, we think we’ve pinpointed the bona fide Bollywood beauty’s appeal: asymmetry. Distinguishing quirks far outweigh perfect proportions, as far as we’re concerned. You?
Thursday, February 19, 2009
Fashion Show Breakdown: Rodarte
SHOW: RODARTE
MAKEUP: JAMES KALIARDOS FOR M.A.C
HAIR: ODILE FOR AVEDA
NAILS: DEBORAH LIPPMANN
BEAUTY SNAPSHOT: Architectural face paint
THE SCOOP: The first thing I noticed when I arrived at the Gagosian Gallery (the venue for Rodarte's fall '09 show) was the runway set-up. The chairs were covered in tinfoil and the runway zigzagged back and forth. It looked a bit space age -- a vibe that carried over to the hair and makeup.
James Kaliardos explained the makeup as "deconstructing and reconstructing the face," and architectural. There was a definite graphic feeling to it, with lines and contouring under the eyes, along the cheekbones and in the creases of the lids. The use of white and various flesh tones rounded out the sculpted look, and the lips stayed neutral (bordering on grim) in grayish nude.
Odile explained the hair, quite simply, as small, chic and modern. That description translated to a very sleek, tightly wound and banded side chignon with a side part.
The nails were super modern too, painted with a shade of glittery gunmetal that Deborah Lippmann co-created with the Mulleavy sisters for the show.
GET THE LOOK - MAKEUP: The M.A.C team used several M.A.C Pro products to create the sculpted look: Paint Stick in Pure White under the eyes, Shaping Powder in Warm Light and Accentuate on cheeks and eyes, Pigment in Frozen White on the inner corners of the eyes, and for lips, a combination of M.A.C Lip Pencil in Stone and Lipstick in Fresh Brew.
GET THE LOOK - HAIR: Odile used Aveda Brilliant Spray-On Shine to impart shine and smooth flyaways on the severe style.
GET THE LOOK - NAILS: Deborah Lippmann's special show shade, Marquee Moon, will hit stores this fall!
Fashion Show Breakdown: TIBI
MAKEUP: Makky for MAC
HAIR: Kevin Ryan for Rsessions
BEAUTY SNAPSHOT: Dr. Zhivago does 80's decadence
THE SCOOP: Inspired by the color-pop prints and peacock solids in Tibi's Fall 2009 line, Makky turned the makeup to a decade when optimism was king, and neon colors ruled. Yes, that would be the 80's. "The look is very Christy TurlingtonDr. Zhivago," said hair stylist Kevin Ryan. "We're creating opulent hair that doesn't suit the environment. We're doing lots of gorgeous curls, that will then be brushed out and pulled back – so there's an underlying history of gorgeous. "
GET THE LOOK – MAKEUP: Makky used MAC's new turquoise shade for fall, blended with true blue MAC Eye Shadow in Electric Eel on the top lid and squared off at the ends, with a cobalt blue shade beneath the lower lash lines. For concentrated color, use MAC Paint Pot in Painterly underneath. "It's a cream shadow that dries in a minute and really pops every color you put on top," says Makky. Lips were downplayed in MAC Hello Kitty Tinted Lip Balm in Pink Fish. "I love these because the balm texture allows you to wear trendy shades like pale pink without going crazy."